Released back in 2008, RX simply took over. Having said that, the fact that not many developers put their efforts on making audio repair tools can be attributed to some extent to iZotope RX’s existence. With that in mind, the question is: which one to choose? Fortunately for us this segment shows a busy yet not crowded marketplace, with a handful of great sounding and very capable solutions competing for attention but far from the over-saturated equalizer and dynamics segments. Having a set of audio repair tools is definitely one very desirable in most studios and on some they are just mandatory - any serious post-production facilities and mixing or mastering studios are bound to deal with damaged audio at some point.
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